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Nyssa aquatica L.
Water Tupelo
USDA NYAQ2
Choctaw Dye, Red
Burned bark and red oak ash added to water and used as a red dye.
Bushnell, Jr., David I., 1909, The Choctaw of Bayou Lacomb, St. Tammany Parish, Louisiana, SI-BAE Bulletin #48, page 14
Oenothera elata ssp. hookeri (Torr. & Gray) W. Dietr. & W.L. Wagner
Hooker's Eveningprimrose
USDA OEELH2
Pomo, Kashaya Dye, Yellow
Flowers chewed with gum to make gum yellow.
Goodrich, Jennie and Claudia Lawson, 1980, Kashaya Pomo Plants, Los Angeles. American Indian Studies Center, University of California, Los Angeles, page 95
Oplopanax horridus Miq.
Devilsclub
USDA OPHO
Hesquiat Dye, Unspecified
Bark shavings and berries made into paint and used to color basket materials and other objects.
Turner, Nancy J. and Barbara S. Efrat, 1982, Ethnobotany of the Hesquiat Indians of Vancouver Island, Victoria. British Columbia Provincial Museum, page 61
Opuntia engelmannii Salm-Dyck
Cactus Apple
USDA OPENE
Keres, Western Food, Cooking Agent
Tunas used as a red dye for corn mush.
Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 56
Opuntia humifusa (Raf.) Raf.
Pricklypear
USDA OPHUH
Dakota Dye, Mordant
Mucilaginous stem juice used to fix the colors painted on hides or receptacles made from hides. Freshly peeled stems were rubbed over the painted object to fix the color.
Gilmore, Melvin R., 1919, Uses of Plants by the Indians of the Missouri River Region, SI-BAE Annual Report #33, page 104
Opuntia humifusa (Raf.) Raf.
Pricklypear
USDA OPHUH
Pawnee Dye, Mordant
Mucilaginous stem juice used to fix the colors painted on hides or receptacles made from hides. Freshly peeled stems were rubbed over the painted object to fix the color.
Gilmore, Melvin R., 1919, Uses of Plants by the Indians of the Missouri River Region, SI-BAE Annual Report #33, page 104
Opuntia polyacantha Haw.
Plains Pricklypear
USDA OPPOP
Crow Dye, Mordant
Stems peeled and used to fix color on hides.
Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 39
Opuntia polyacantha Haw.
Plains Pricklypear
USDA OPPOP
Navajo Dye, Red
Dead, ripe fruits used to make a cardinal dye.
Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 65
Opuntia polyacantha Haw.
Plains Pricklypear
USDA OPPOP
Navajo Dye, Red
Fruit used to dye wool pink.
Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 65
Opuntia polyacantha Haw.
Plains Pricklypear
USDA OPPOP
Sioux Dye, Mordant
Stems peeled and used to fix color on hides.
Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 39
Orthocarpus luteus Nutt.
Yellow Owlclover
USDA ORLU2
Blackfoot Dye, Red
Leaves crushed and pressed firmly into skins, horsehair and feathers as a red dye.
Johnston, Alex, 1987, Plants and the Blackfoot, Lethbridge, Alberta. Lethbridge Historical Society, page 53
Orthocarpus luteus Nutt.
Yellow Owlclover
USDA ORLU2
Blackfoot Dye, Red
Plant pounded and pressed firmly into the gopher skin as a red dye.
McClintock, Walter, 1909, Medizinal- Und Nutzpflanzen Der Schwarzfuss Indianer, Zeitschriff fur Ethnologie 41:273-9, page 276
Orthocarpus luteus Nutt.
Yellow Owlclover
USDA ORLU2
Blackfoot Dye, Red-Brown
Whole, blooming plant pressed firmly into skins, horsehair and feathers as a reddish tan dye.
Johnston, Alex, 1987, Plants and the Blackfoot, Lethbridge, Alberta. Lethbridge Historical Society, page 53
Orthocarpus luteus Nutt.
Yellow Owlclover
USDA ORLU2
Great Basin Indian Dye, Yellow
Whole plant used to make a yellow dye.
Nickerson, Gifford S., 1966, Some Data on Plains and Great Basin Indian Uses of Certain Native Plants, Tebiwa 9(1):45-51, page 50
Osmorhiza occidentalis (Nutt. ex Torr. & Gray) Torr.
Western Sweetroot
USDA OSOC
Blackfoot Dye, Unspecified
Stems mixed with ochre and applied to robes.
Hellson, John C., 1974, Ethnobotany of the Blackfoot Indians, Ottawa. National Museums of Canada. Mercury Series, page 115
Oxalis corniculata L.
Creeping Woodsorrel
USDA OXCO
Menominee Dye, Yellow
Boiled whole plant used as a yellow dye.
Smith, Huron H., 1923, Ethnobotany of the Menomini Indians, Bulletin of the Public Museum of the City of Milwaukee 4:1-174, page 78
Oxalis montana Raf.
Mountain Woodsorrel
USDA OXMO
Menominee Dye, Yellow
Boiled whole plant used as a yellow dye.
Smith, Huron H., 1923, Ethnobotany of the Menomini Indians, Bulletin of the Public Museum of the City of Milwaukee 4:1-174, page 78
Oxalis stricta L.
Common Yellow Oxalis
USDA OXST
Menominee Dye, Yellow
Boiled whole plant used as a yellow dye.
Smith, Huron H., 1923, Ethnobotany of the Menomini Indians, Bulletin of the Public Museum of the City of Milwaukee 4:1-174, page 78
Oxalis stricta L.
Common Yellow Oxalis
USDA OXST
Meskwaki Dye, Orange
Whole plant boiled to obtain an orange dye.
Smith, Huron H., 1928, Ethnobotany of the Meskwaki Indians, Bulletin of the Public Museum of the City of Milwaukee 4:175-326, page 271
Palafoxia arida B.L. Turner & Morris
Desert Palafox
USDA PAARA2
Cahuilla Dye, Yellow
Used as a yellow dye.
Bean, Lowell John and Katherine Siva Saubel, 1972, Temalpakh (From the Earth); Cahuilla Indian Knowledge and Usage of Plants, Banning, CA. Malki Museum Press, page 98
Parthenocissus quinquefolia (L.) Planch.
Virginia Creeper
USDA PAQU2
Kiowa Dye, Pink
Fruits used as pink paint for skin and feathers worn in war dance.
Vestal, Paul A. and Richard Evans Schultes, 1939, The Economic Botany of the Kiowa Indians, Cambridge MA. Botanical Museum of Harvard University, page 41
Parthenocissus quinquefolia (L.) Planch.
Virginia Creeper
USDA PAQU2
Kiowa Dye, Pink
Fruits used as pink paint for skin and feathers worn in war dance.
Vestal, Paul A. and Richard Evans Schultes, 1939, The Economic Botany of the Kiowa Indians, Cambridge MA. Botanical Museum of Harvard University, page 41
Parthenocissus quinquefolia (L.) Planch.
Virginia Creeper
USDA PAQU2
Kiowa Dye, Pink
Fruits used as pink paint for skin and feathers worn in war dance.
Vestal, Paul A. and Richard Evans Schultes, 1939, The Economic Botany of the Kiowa Indians, Cambridge MA. Botanical Museum of Harvard University, page 41
Pectis angustifolia Torr.
Narrowleaf Pectis
USDA PEANA
Hopi Dye, Unspecified
Used to make an inferior dye.
Whiting, Alfred F., 1939, Ethnobotany of the Hopi, Museum of Northern Arizona Bulletin #15, page 97
Penstemon confertus Dougl. ex Lindl.
Yellow Penstemon
USDA PECO6
Okanagan-Colville Dye, Blue
Flowers boiled and rubbed on arrows and other items to give them a blue, indelible coloring.
Turner, Nancy J., R. Bouchard and Dorothy I.D. Kennedy, 1980, Ethnobotany of the Okanagan-Colville Indians of British Columbia and Washington, Victoria. British Columbia Provincial Museum, page 139
Penstemon fruticosus (Pursh) Greene
Bush Penstemon
USDA PEFRF4
Thompson Dye, Unspecified
Plant used in making a dye for basket designs.
Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 286
Penstemon pruinosus Dougl. ex Lindl.
Chilean Beardtongue
USDA PEPR3
Okanagan-Colville Dye, Blue
Flowers boiled and rubbed on arrows and other items to give them a blue, indelible coloring.
Turner, Nancy J., R. Bouchard and Dorothy I.D. Kennedy, 1980, Ethnobotany of the Okanagan-Colville Indians of British Columbia and Washington, Victoria. British Columbia Provincial Museum, page 139
Petradoria pumila (Nutt.) Greene
Grassy Rockgoldenrod
USDA PEPUP
Navajo Dye, Yellow
Flowering tops mixed with wild rhubarb and used as a yellow dye.
Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 89
Phlox hoodii Richards.
Spiny Phlox
USDA PHHOH
Blackfoot Dye, Yellow
Plant used to make a yellow dye.
Hellson, John C., 1974, Ethnobotany of the Blackfoot Indians, Ottawa. National Museums of Canada. Mercury Series, page 116
Phoradendron sp.
Mistletoe
Cahuilla Dye, Black
Leaves used to dye basket weeds permanently black.
Bean, Lowell John and Katherine Siva Saubel, 1972, Temalpakh (From the Earth); Cahuilla Indian Knowledge and Usage of Plants, Banning, CA. Malki Museum Press, page 101
Phragmites australis (Cav.) Trin. ex Steud.
Common Reed
USDA PHAU7
Thompson Other, Decorations
Whitish culms valued for the use in decoration of coiled split cedar root baskets. The culms were harvested while still green and soft, warmed over the coals of a fire and broken at the nodes. They were then split open, flattened and used together with dyed and undyed bitter cherry bark to create patterns on coiled cedar root baskets.
Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 142
Phragmites australis (Cav.) Trin. ex Steud.
Common Reed
USDA PHAU7
Thompson Other, Jewelry
Reed cut in different lengths, dyed and used interspersed with seed beads for necklaces.
Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 497
Physocarpus capitatus (Pursh) Kuntze
Pacific Ninebark
USDA PHCA11
Hesquiat Dye, Brown
Bark soaked with cedar bark to darken the cedar.
Turner, Nancy J. and Barbara S. Efrat, 1982, Ethnobotany of the Hesquiat Indians of Vancouver Island, Victoria. British Columbia Provincial Museum, page 73
Phytolacca americana L.
American Pokeweed
USDA PHAMA3
Mahuna Dye, Unspecified
Berries used to make dyes and inks.
Romero, John Bruno, 1954, The Botanical Lore of the California Indians, New York. Vantage Press, Inc., page 65
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Cree, Woodlands Dye, Yellow-Brown
Rotten wood used as a yellow brown dye for white goods.
Leighton, Anna L., 1985, Wild Plant Use by the Woods Cree (Nihithawak) of East-Central Saskatchewan, Ottawa. National Museums of Canada. Mercury Series, page 48
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Tanana, Upper Fiber, Basketry
Roots used to sew birchbark baskets. Spruce roots were dug by hand or with an axe, preferably from a tree that was not crowded by other trees. The roots of a tree growing in an open place were less likely to be entangled with the roots of other trees and were therefore easier to dig. Spruce roots in moist ground where moss grows were also easier to gather than those found in dry soil. Before using spruce roots, the Upper Tanana peeled the bark off by hand or with a knife. After peeling them, they sometimes dyed them by boiling berries and soaking the roots in the juice. Spruce roots could be dried for future use but must be soaked in water to make them pliable before being used. They could be dug anytime during the year when the ground was not frozen.
Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 2
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Tanana, Upper Fiber, Canoe Material
Roots used for the bow of a canoe. Spruce roots were dug by hand or with an axe, preferably from a tree that was not crowded by other trees. The roots of a tree growing in an open place were less likely to be entangled with the roots of other trees and were therefore easier to dig. Spruce roots in moist ground where moss grows were also easier to gather than those found in dry soil. Before using spruce roots, the Upper Tanana peeled the bark off by hand or with a knife. After peeling them, they sometimes dyed them by boiling berries and soaking the roots in the juice. Spruce roots could be dried for future use but must be soaked in water to make them pliable before being used. They could be dug anytime during the year when the ground was not frozen.
Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 2
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Tanana, Upper Fiber, Cordage
Split or whole roots used to make line. Spruce roots were dug by hand or with an axe, preferably from a tree that was not crowded by other trees. The roots of a tree growing in an open place were less likely to be entangled with the roots of other trees and were therefore easier to dig. Spruce roots in moist ground where moss grows were also easier to gather than those found in dry soil. Before using spruce roots, the Upper Tanana peeled the bark off by hand or with a knife. After peeling them, they sometimes dyed them by boiling berries and soaking the roots in the juice. Spruce roots could be dried for future use but must be soaked in water to make them pliable before being used. They could be dug anytime during the year when the ground was not frozen.
Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 2
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Tanana, Upper Other, Containers
Roots woven into waterproof containers. Spruce roots were dug by hand or with an axe, preferably from a tree that was not crowded by other trees. The roots of a tree growing in an open place were less likely to be entangled with the roots of other trees and were therefore easier to dig. Spruce roots in moist ground where moss grows were also easier to gather than those found in dry soil. Before using spruce roots, the Upper Tanana peeled the bark off by hand or with a knife. After peeling them, they sometimes dyed them by boiling berries and soaking the roots in the juice. Spruce roots could be dried for future use but must be soaked in water to make them pliable before being used. They could be dug anytime during the year when the ground was not frozen.
Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 2
Picea glauca (Moench) Voss
White Spruce
USDA PIGL
Tanana, Upper Other, Hunting & Fishing Item
Roots woven into dip nets. Spruce roots were dug by hand or with an axe, preferably from a tree that was not crowded by other trees. The roots of a tree growing in an open place were less likely to be entangled with the roots of other trees and were therefore easier to dig. Spruce roots in moist ground where moss grows were also easier to gather than those found in dry soil. Before using spruce roots, the Upper Tanana peeled the bark off by hand or with a knife. After peeling them, they sometimes dyed them by boiling berries and soaking the roots in the juice. Spruce roots could be dried for future use but must be soaked in water to make them pliable before being used. They could be dug anytime during the year when the ground was not frozen.
Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 2
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Hopi Dye, Unspecified
Gum used in the preparation of certain dyes.
Colton, Harold S., 1974, Hopi History And Ethnobotany, IN D. A. Horr (ed.) Hopi Indians. Garland: New York., page 347
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Hopi Dye, Unspecified
Gum used to prepare certain dyes.
Whiting, Alfred F., 1939, Ethnobotany of the Hopi, Museum of Northern Arizona Bulletin #15, page 63
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Jemez Dye, Red
Gum from old and new trees used as a red paint for jars and bowls.
Cook, Sarah Louise, 1930, The Ethnobotany of Jemez Indians., University of New Mexico, M.A. Thesis, page 26
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Navajo Dye, Black
Gum used to make black dye. A black dye was made from pinyon gum, the leaves and twigs of sumac and a native yellow ocher. The sumac leaves were put in water and allowed to boil until the mixture became strong. While this was boiling, the ocher was powdered and roasted. Pinyon gum was then added to the ocher and the whole roasted again. As roasting proceeded, the gum melted and finally the mixture was reduced to a black powder. This was cooled and thrown into the sumac mixture, forming a rich blue-black fluid which was essentially an ink. When this process was finished the wool was put in and allowed to boil until it was dyed the right shade. This same dye was also used to color leather and buckskin.
Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 21
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Navajo, Ramah Dye, Black
Resin used as an ingredient of black dye for wool or basketry.
Vestal, Paul A., 1952, The Ethnobotany of the Ramah Navaho, Papers of the Peabody Museum of American Archaeology and Ethnology 40(4):1-94, page 12
Pinus edulis Engelm.
Twoneedle Pinyon
USDA PIED
Tewa Dye, Unspecified
Gum used in the preparation of certain dyes.
Colton, Harold S., 1974, Hopi History And Ethnobotany, IN D. A. Horr (ed.) Hopi Indians. Garland: New York., page 347
Pinus monophylla Torr. & Fr‚m.
Singleleaf Pinyon
USDA PIMOM2
Hopi Dye, Unspecified
Gum used to prepare certain dyes.
Whiting, Alfred F., 1939, Ethnobotany of the Hopi, Museum of Northern Arizona Bulletin #15, page 63
Pinus ponderosa P.& C. Lawson
Ponderosa Pine
USDA PIPOP
Cheyenne Dye, Blue
Roots used to make a blue dye.
Hart, Jeffrey A., 1981, The Ethnobotany of the Northern Cheyenne Indians of Montana, Journal of Ethnopharmacology 4:1-55, page 6
Pinus ponderosa P.& C. Lawson
Ponderosa Pine
USDA PIPOP
Cheyenne Dye, Unspecified
Used to make a dye.
Hart, Jeffrey A., 1981, The Ethnobotany of the Northern Cheyenne Indians of Montana, Journal of Ethnopharmacology 4:1-55, page 46
Plagiobothrys arizonicus (Gray) Greene ex Gray
Arizona Popcornflower
USDA PLAR
Diegueno Dye, Red
Red coating on outside leaves and lower stems used as a red pigment to paint the body and face.
Hedges, Ken, 1986, Santa Ysabel Ethnobotany, San Diego Museum of Man Ethnic Technology Notes, No. 20, page 30